GearTunes    > Twelve Inch Speakers    > Celestion    >

G12H-75 Creamback, 16 ohm — $ = Market Price

Signal Chain

  • Fender Road Worn 60’s Stratocaster
  • GHS Progressives, 10-46
  • Dunlop Manufacturing Tortex 1mm Blue
  • Millennia Music & Media Systems TD-1
  • Avid Digi 003
  • Radial JCR Reamp
  • Marshall Super Lead 100w (c. 1971)
  • Orange PPC412 (straight front)
  • Celestion G12H-75 Creamback, 16 ohm
  • Shure SM57
  • Royer Labs R-121

Signal Chain

  • Ibanez JEM7VWH
  • GHS Progressives, 9-42
  • Dunlop Manufacturing Tortex 1mm Blue
  • Millennia Music & Media Systems TD-1
  • Avid Digi 003
  • Radial JCR Reamp
  • Carvin Legacy 3
  • Orange PPC412 (straight front)
  • Celestion G12H-75 Creamback, 16 ohm
  • Shure SM57
  • Royer Labs R-121
  • Twelve Inch Speakers Celestion G12H-75 Creamback, 16 ohm
  • Twelve Inch Speakers Celestion G12H-75 Creamback, 16 ohm 2

Back in the late 60s, the G12H was created by fixing an 'H' type (heavy) magnet to the body of a G12M guitar speaker. Result: a speaker with more power and a different tonal balance: firmer bass and a more pronounced top end.

So we added an 'H' magnet to the G12M-65 Creamback, create a speaker that delivers the sonic signature of a G12H combined with Creamback levels of power handling. The result is the G12H-75 Creamback.

It delivers 75-watts of power handling with ease and has unmistakeable G12H tone, with a tighter low end than the G12M-65 Creamback and a punchier, more dynamic high end. The H magnet brings additional focus, body and girth to the Creamback tone. It thickens single notes, resulting in a highly articulate, vocal character. These additional characteristics mean that the G12H-75 Creamback offers exceptional performance when used for lead guitar and sounds massive loaded into a 4x12 cab!

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

Play Right Click to Download