Throughout the classic-rock era of the 1970s, if you mentioned "Les Paul" to a guitarist they usually heard "Deluxe." Made in the image of the original single-cutaway set-neck Les Paul Standard of 1958 to '60 but with a pair of mini-humbucking pickups for the brighter, more cutting tone that many players were demanding, the Les Paul Deluxe ruled the roost for the better part of a decade, and found an enduring place in the hearts of guitarists and collectors alike that has held fast ever since. Crafted in the image of the most revered version of this model from the early '70s, the Les Paul Deluxe newly recreated by Gibson USA offers all the ingredients that helped this instrument stand out from the crowd, including traditional tonewoods and electronics, superb playability and first-class Gibson craftsmanship. And it's all wrapped in a high-gloss Goldtop nitrocellulose finish to give it the look of the best-loved rendition of the Deluxes of old.
To set a firm foundation for tone, Gibson USA crafts the Les Paul Deluxe with the same tonewoods used in the most beloved example of the model from the 1970s. A carved maple top is glued to a Grade-A mahogany body with traditional weight relief to enhance tone and reduce weight. A Grade-A quarter-sawn mahogany neck is carved to a comfortably rounded profile that measures .818" deep at the 1st fret and .963" at the 12th. It is capped with a rosewood fingerboard with 22 medium jumbo frets and a radius of 12" for easy choke-free bending. Cream plastic binding provides a smooth feel and a classic look. To anchor it all down there's a Tune-o-matic bridge and stopbar tailpiece—two innovative classics of Gibson hardware—and a set of vintage-look Tone Pros tuners with efficient 16:1 gear ratios.
All the ringing resonance and sustain wrought by these ingredients are transmitted to the amp with optimum depth and clarity by a pair of Gibson's legendary mini-humbucking pickups. The Les Paul Deluxe mini-humbuckers are made much like full-sized PAF-style humbuckers with genuine Alnico II magnets but with narrower coils and slightly fewer turns of wire for a sharper, more focused sound. They are perfect for cutting through a heavy band mix, while also going confidently into twangy and jangly genres that Les Pauls aren't usually thought to excel at, without sacrificing any of the depth and muscle that makes a great Les Paul what it is. Routed through the traditional complement of two independent volume controls and two independent tone controls and three-way toggle switch—and a great locking Neutrick® output jack for total plugged-in security—these pickups provide stunning tonal versatility. Put it all together—along with the gold Speed Knobs, "Deluxe" engraved truss-rod cover and LP Deluxe pickguard—all marks of the breed—and you've got an evocative recreation of a model that helped make today's rock what it is.
Each Les Paul Deluxe from Gibson USA comes with a plush-lined hardshell case, owner's manual, warranty and adjustment literature, and is covered by Gibson's Limited Lifetime Warranty and 24/7/365 Customer Service.
Body Type: Traditional Weight Relief
Adhesive: Franklin Titebond 50
Truss Rod: Traditional Adjustable
Joint Angle: 5° (+/- 15 seconds)
Adhesive: Franklin Titebond 50
Joint: Mortise & Tenon
Adhesive: Franklin Titebond 50
Joint Angle Tolerance: +/- .005"
Inlays: Acrylic Trapezoid
Slots: Gibson PLEK System
Logo: Mother of Pearl "Gibson" Logo with Gold Scripted "Les Paul Model" Silkscreen
Truss Rod Cover: Black and White Antique Bell with "Deluxe" engraved
Model: Tone Pros® Keystone Vintage tuners
Tuning Ratio: 16:1
Type: Stop Bar
Knobs: Gold Speed Knobs
Toggle Switch Washer: Cream with Gold Imprint
Pickup Mounting Rings: Cream Plastic
Pickguard: Cream Les Paul Deluxe
Control Plate Cover: Black Plastic
Strings: .010 - .046, Genuine Gibson strings
Strap Buttons: Aluminum
Neck Position: Mini-Humbucker (Alnico II)
Bridge Position: Mini-Humbucker (Alnico II)
Potentiometers: 2 Volume Controls, 2 Tone Controls
Type: 300k Linear Volume, 500k Non-linear Tone
Coil Wiring: Machine Wound
Toggle Switch: Three-way Switchcraft with Cream Plastic Tip
Output Jack: Neutrick Jack
Surface Texture: High Gloss
Process: 1-1.5 mils
Type: Gibson Hardshell
Case Exterior: Black
Case Interior: White Plush
Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.
For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.
For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.
I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)
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