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Space — List/Market Price: $579.00 / $499.00

Signal Chain

  • Ibanez JEM7VWH
  • Visual Sound Route 66
  • Eventide Space
  • Radial SGI
  • Roland JC-120
  • Shure SM57
  • Avid Digi 002
  • Universal Audio UAD-2 Satellite Quad Core

Signal Chain

  • Ibanez JEM7VWH
  • Visual Sound Route 66
  • Eventide Space
  • Radial SGI
  • Roland JC-120
  • Shure SM57
  • Avid Digi 002
  • Universal Audio UAD-2 Satellite Quad Core

Signal Chain

  • Ibanez JEM7VWH
  • Visual Sound Route 66
  • Eventide Space
  • Radial SGI
  • Roland JC-120
  • Shure SM57
  • Avid Digi 002
  • Universal Audio UAD-2 Satellite Quad Core

Signal Chain

  • Ibanez JEM7VWH
  • GHS Progressives, 9-42
  • Dunlop Manufacturing Tortex 1mm Blue
  • Visual Sound Route 66
  • Eventide Space
  • Radial SGI
  • Roland JC-120
  • Shure SM57
  • Avid Digi 002
  • Universal Audio UAD-2 Satellite Quad Core

Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and special effects in such a compact and affordable package.

Space features 12 of Eventide’s signature reverb combination effects culled from the H8000FW and Eclipse V4 along with some startling new magic. Space includes 100 presets, including presets crafted by Flood and Alan Moulder (The Killers, Nine Inch Nails, Smashing Pumpkins, My Bloody Valentine, 30 Seconds to Mars, PJ Harvey and Them Crooked Vultures), Justin Meldal-Johnsen (Beck, Nine Inch Nails), Richard Devine (sound designer, synthesist, performer, remixer), Vernon Reid (Living Colour), Amedeo Pace (Blonde Redhead), Alex Somers and Jonsi Birgisson (Jonsi and Alex, Sigur Ros), Amadeo Pace (Blonde Redhead) and John Agnello (Patti Smith, Sonic Youth, Dinosaur Jr., and Kurt Vile). These unique effects, previously available only in Eventide rack processors, are now available in a compact, roadworthy package. Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and spatial effects in such a compact and affordable package. Eventide stompboxes are available at your favorite authorized Eventide dealer.

 

FEATURES

    - 12 of Eventide’s Signature Reverb Combo Algorithms

    - Wide variety of spatial effects including basic reverbs, delays and unique combination effects

    - Studio quality sound

    - Compatible with any source material - solo instruments, drums, vocals, or complete mixes

    - Software upgradeable via USB 2.0

    - MIDI control via USB or MIDI in, out/thru

    - Instant program change

    - Real-time control with 10 knobs, MIDI, or Expression Pedal

    - Tap tempo and MIDI clock sync

    - 100 factory presets, unlimited through MIDI

    - True analog bypass

    - Rugged cast metal construction

    - Reliable metal footswitches for instant preset access

    - Mono or stereo operation

    - Guitar or line level inputs and outputs

    - Programmable HotSwitch

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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