The Portable Monitor Controller without Audio Compromise.
The Dangerous Source provides the critical link between your ears and the music. Every tracking and mixing decision hinges upon what you hear: how to locate the microphone’s sweet spot for the perfect vocal, where to place the panning to define each instrument’s space, creating the perfect marriage of kick and bass in the track…
Portable or Rack Installable (kit optional)
2 Speaker Outputs- Can Be Engaged Simultaneously
Headphones Can Monitor Single or Multiple Sources
2 Analog Inputs: 1/8" Mini Stereo & XLR/TRS Combo Jack
2 Onboard Stereo 24-bit/192kHz D/A Converters
2 Digital Inputs: AES/SPDIF and USB
USB IN, up to 24-bit/192kHz for Windows and Mac
Plug in two pairs of headphones and get inspired with a Dangerous caliber headphone amp.
Select any of the four sources individually or at the same time- plug your iPod into AN2 and jam along in AN1.
Listen to any combination of sources from either section. For example, let the singer hear their own personal headphone mix from the AN2 input, while you engineer the real mix, coming from the USB input.
There’s even a line level control room output, mirroring the speaker selector for dubbing, sampling or running external meters.
Switch between two sets of speakers... or use one output for a subwoofer... or play them both at once to blow up the neighborhood.
Built for life on the road, slide the Source into your backpack and hit the streets.
Input 1 to Selected Line Out and Speakers:
Frequency Response: +0, -0.5dB from <10 Hz to >80 kHz
THD+N: < 0.0025% @+4dBu
IMD (SMPTE): < 0.0025% @ +4dBu
Crosstalk rejection: >108dB
Noise: < -93 dB, unweighted
NOTE: Speaker outs can run at -6dB (factory setting) or unity gain (remove jumpers 3 and 4)
Maximum input level: > +26 dBu
Input 2 to selected line out and Speakers:
Frequency Response : +0, -0.5dB from <10 Hz to >80 kHz
THD+N: < 0.0025% @ +4dBu
IMD (SMPTE): < 0.0026% @ +4dBu
Crosstalk rejection: > -98dB
Noise: < -90 dB, unweighted
NOTE: Input 2 can run at -10dBV or -16dBV (by setting JP1 and JP2. Remove for -10dBV)
Default factory setting is -16dBV to accommodate 1/8” headphone outputs of iPhones and cell phones
Frequency Response: +0, -0.5dB from <10Hz to >50kHz
The meter and speakers outputs are fully balanced and 600 ohm drive capable to >+26dBu.
Volume knobs track better than +- 0.5dB from unity to -40dB.
The headphone amp can easily drive several sets of cans.
Maximum output level: > +26 dBu
Shipping weight (in carton): 7 lbs.
Dimensions: 12 3/4" Wide x 8" Deep x 1 5/8" High
The AES inputs lock from 32kHz to 192kHz sample rates with the following: <0.004% THD+N
-0.2dB at 10 Hz and 22kHz (48kHz sample rate)
-0.2dB at 10Hz and 34kHz (higher rates)
Crosstalk Rejection: >103dB
Power Supply: 12 volt, 2 Amp (Part number PSU-SRC)
Optional Rack Kit: SRC (Source Rack Kit), $49.99
Mac: Requires Mac OS 10.6 or higher for driverless plug and play
PC: Requires a driver for Windows operating systems up to Windows 7. *Not currently compatible with Windows 8.
Warranty: Free 2 year extended warranty with online registration.
Standard warranty: 90 days parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications/attempted repair by unauthorized technicians.
Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.
For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.
For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.
I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)
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