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R-121 — List: $1395 Street: $1295

Custom Tone Master and H9 Vintage Delay Signal Chain

  • Elliott Guitars Peter Stroud Signature Custom Tone Master
  • D’Addario EXP110 Coated Nickel Wound, Light, 10-46
  • Dean Markley Refill Bag of 72 .60mm Orange Delrin Picks
  • Millennia Music & Media Systems HV-37
  • Radial JCR Reamp
  • Carvin Legacy 3
  • Eventide H9
  • Carvin C412B 4X12” Legacy Bottom Cabinet
  • Royer Labs R-121
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

Petrucci Piezo Pickup and H9 Shimmer Signal Chain

  • Music Man John Petrucci 7 String
  • Dean Markley Refill Bag of 72 .73mm Delrin Yellow Picks
  • Millennia Music & Media Systems HV-37
  • Radial JCR Reamp
  • Carvin Legacy 3
  • Eventide H9
  • Carvin C412B 4X12” Legacy Bottom Cabinet
  • Royer Labs R-121
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

Strat and H9 Crystals Signal Chain

  • Fender Road Worn 60’s Stratocaster
  • Dean Markley Refill Bag of 72 1.0mm Delrin Blue Picks
  • Carvin Legacy 3
  • Eventide H9
  • Carvin C412B 4X12” Legacy Bottom Cabinet
  • Royer Labs R-121
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

Signal Chain

  • Gibson Les Paul Studio ‘60s Tribute Darkback
  • D’Addario EPS510 ProSteels, Regular Light, 10-46
  • Fishman Asterope Pro Studio AST-P15-SSG
  • Millennia Music & Media Systems HV-37
  • Strymon OB.1
  • Eventide H9
  • Fender ‘65 Deluxe Reverb (reissue)
  • Triad-Orbit TRIAD-ORBIT System - T1/O2/M1
  • Telefunken M80
  • Telefunken M81
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile "classic" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. In its 10+ years in the market, thousands of R-121's have been sold around the world and it's well established as a standard for tracking electric guitar and brass.

The R-121 redefined ribbon microphones so completely that Recording Magazine wrote "...the Royer R-121 is destined to become one of the classic microphones of the 21st century."

Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums - you name it, the R-121 will help you record it with realism you have to hear to believe.

We build the R-121 solid enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we'll stand behind it the whole way.

Patented Offset Ribbon Technology
The R-121's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.

Acoustic Operating Principle: Electrodynamic pressure gradient
Polar Pattern: Figure-8
Generating Element: 2.5-micron aluminum ribbon
Magnets: Rare Earth Neodymium
Frequency Response: 30 -15,000 Hz +/- 3dB
Sensitivity: -50 dBv Re. 1v/pa
Output Impedance: 300 Ohms @ 1K (nominal)
Rated Load Impedance: >1500 Ohms @ 300 Ohms
Maximum SPL: >135dB @ 20 Hz
Output Connector: Male XLR 3 pin (Pin 2 Hot)
Dimensions: 155.7mm L, 25mm W (6.13" L, 1" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel/Matte Black Chrome optional

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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