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NT1 Kit — List: $395.00 Street: $269.00

Signal Chain

  • Gibson Zakk Wylde BFG Les Paul
  • EMG EMG ZW (Zakk Wylde) Set
  • D’Addario EXL140 Nickel Wound, Light Top/Heavy Bottom, 10-52
  • Fishman Asterope Pro Studio AST-P15-SSG
  • Millennia Music & Media Systems HV-37
  • Radial JCR Reamp
  • Orange CR60C
  • Triad-Orbit TRIAD-ORBIT System - T1/O2/M1
  • Rode NT1 Kit
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

The NT1 is a revolutionary new 1" diagphram condenser microphone from RØDE.

Although the body of the new NT1 closely resembles the NT1-A, the microphone has been completely redesigned from the ground up, with the only shared component being the mesh grille.

RØDE’s design engineers approached the NT1 as a marriage of innovation and tradition, starting with the capsule which is a completely new design. Codenamed the HF6, it is the perfect example of RØDE’s fusion of artistic design approaches and cutting-edge manufacturing techniques, and features a sound signature reminiscent of the famous microphones of old while at the same time exhibiting extremely low noise.

It has been developed with a focus on detailed midrange response, coupled with silky smooth high frequencies, and warm, round, bass reproduction to make the NT1 an absolute standout in its class.

In another world-first for RØDE, the transducer itself is suspended inside the microphone using Rycote’s industry-leading Lyre system, minimizing external vibrations at the capsule level. The capsule is then married to high-grade electronics that have been designed to provide the lowest noise level of any studio microphone available. The NT1 is an incredibly quiet microphone, measuring only 4.5dBA of self-noise.

Its body is machined from 6061 aluminium and then nickel plated for resistance against corrosion. Finally it is coated in a durable, military-grade ceramic layer, using advanced electrostatic application techniques developed by RØDE to ensure an extremely hard wearing finish that is resistant to scratches or marks.

The NT1 is supplied with the revolutionary new RØDE SMR shock mount. Featuring a unique double-Lyre suspension system, the SMR enhances the existing superior vibration cancellation of Rycote’s Lyre system by using a smaller inner Lyre to act as a tensioning element. This maintains each Lyre in the neutral position where it is most efficient at cancelling vibration. The SMR’s removable all-metal pop filter is as effective as it is visually striking, providing an integrated solution for plosive protection that is easily washable and designed to last as long as the shock mount and microphone.

The NT1 is designed and made in Australia, and is covered by RØDE's industry-leading 10 year warranty.

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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