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M81 — List: $279.99 Street: $249.00

Clean Tone With Short Delay Signal Chain

  • Elliott Guitars Peter Stroud Signature Custom Tone Master
  • D’Addario EXP110 Coated Nickel Wound, Light, 10-46
  • Dean Markley Refill Bag of 72 .73mm Delrin Yellow Picks
  • Fishman Asterope Pro Studio AST-P15-SSG
  • T-Rex Replica
  • Fender ‘65 Deluxe Reverb (reissue)
  • Telefunken M80
  • Telefunken M81
  • Millennia Music & Media Systems HV-37
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

Badass Custom Modified O.D. Maximum Gain Video Signal Chain Signal Chain

  • Duesenberg Outlaw
  • GHS Progressives, 10-46
  • Fishman Asterope Pro Studio AST-P15-SSG
  • MXR Dyna Comp
  • MXR Custom Badass Modified O.D.
  • Fender ‘65 Deluxe Reverb (reissue)
  • Telefunken M80
  • Telefunken M81
  • Triad-Orbit ORBIT 2
  • Millennia Music & Media Systems HV-37
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

Clean Tone With Short Delay

  • Elliott Guitars Peter Stroud Signature Custom Tone Master
  • D’Addario EXP110 Coated Nickel Wound, Light, 10-46
  • T-Rex Replica
  • Fender ‘65 Deluxe Reverb (reissue)
  • Triad-Orbit TRIAD-ORBIT System - T1/O2/M1
  • Telefunken M80
  • Telefunken M81
  • Millennia Music & Media Systems HV-37
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

Badass Custom Modified O.D. Maximum Gain

  • Duesenberg Outlaw
  • GHS Progressives, 10-46
  • Fishman Asterope Pro Studio AST-P15-SSG
  • MXR Dyna Comp
  • MXR Custom Badass Modified O.D.
  • Fender ‘65 Deluxe Reverb (reissue)
  • Telefunken M80
  • Telefunken M81
  • Triad-Orbit ORBIT 2
  • Millennia Music & Media Systems HV-37
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

The M81 is the latest installment in TELEFUNKEN Elektroakustik's dynamic microphone range. Designed with the goal to develop a microphone that would not only complement the M80, TELEFUNKEN Elektroakustik's first dynamic offering, but to also stand out in a universe filled with dynamic microphone options.

When the M80 was first introduced in 2008, it quickly became a favorite in both live and studio environments. Its clear and detailed top end, articulate mid-range, and minimal proximity effect won the hearts (and ears) of thousands of new users, making it a staple for vocal and snare drum applications, as well as the most popular microphone in the TELEFUNKEN product line.

Building off many of the strengths of the M80, the TELEFUNKEN M81 retains the same minimal proximity effect, superior feedback rejection, and articulate mid-range. However, with the M81, the top end is pulled back a bit, yielding a flatter overall frequency response. This combination results in a microphone with a wealth of body and clarity, making it a great tool for taming brighter vocals and guitar tones and for fattening up percussion, horns and thinner sounding sources.

The TELEFUNKEN M81's tailored frequency response makes the microphone exceptional on electric guitars, percussion, rack and floor toms, and brass instruments. This microphone's wide range of uses and rugged reliability make it the workhorse for the new generation.

Finished in the same flint gray body tube and tri-chrome head grill styling as the R-F-T AR-51, the M81 is readily identifiable when reaching for the microphone. The M81 was very much designed with the AR-51 in mind. Great care was taken to tune the M81's overall response to be complimentary to the AR-51 when recording electric guitars.

Basically, the TELEFUNKEN M81 is designed to be used on... well, anything and everything! It truly is a "Universal Dynamic Microphone."

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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