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C.A.B. — List: $725.00 Street: $549.00

A Torpedo-powered pedal
The Torpedo C.A.B. is a high-end cabinet simulator in a stompbox format. It is not a loadbox, but it does include all the great features of the Torpedo Live, together with an input stage specifically tailored to accept pedal-level signals.

Most notably: the Torpedo C.A.B. is the very first stompbox-style Impulse-Response Loader!

2 assignable footswitches
The Torpedo C.A.B. features 2 user-assignable footswitches. Assignable functions include Preset selection, Bypass, Mute, EQ On/Off and more… Musicians equipped with MIDI rigs will be able to remote-control the Torpedo C.A.B. via MIDI.

Stompbox-style
We know you love those little effects stompboxes and we definitely want you to use them with our Torpedo C.A.B. Place it at the end of your effect chain and all need to carry your amp will be gone. Plug it into the PA and you will be ready to go with a great sound.

Key features
Input stage specifically designed to accept pedal-level signals

Speaker & miking simulation powered by Torpedo technology (32 slots, and over 45 cabs available)
96 kHz / 32-bit float signal processing

3rd-party IR compatible (512 available slots)
Included 5-band EQ with guitar and bass modes
I/Os: Switchable Guitar/Line In, switchable Amp/Line out, Headphones, USB remote control

Torpedo technology
Many parameters influence the sound of your guitar or bass rig when it comes to recording. Carefully selecting your cabinet and miking options will dramatically improve the sound of your takes. The Torpedo simulation reproduces the tiniest variations of a cabinet’s behavior such as frequency response and distortion (*). Move the microphone in the virtual studio room thanks to the Torpedo IR synthesis, control the phase with the Variphi (*) — all the settings you need to achieve great recordings are here.

(*) VB-101, VM-202 and PI-101 only

High-quality electronic design
The best simulation is nothing without a perfectly designed analog and digital circuit. Two Notes focuses on the whole signal chain, from your amp or preamp output to the PA, monitor, headphones, or recorder to guarantee the best performance. Guitar and bass players deserve studio-quality gear!

Power amp emulation
Connect your preamp or stompbox to your Torpedo Live, C.A.B., or PI-101. They embed our component-based tube power amp simulation. Simply choose the amp design and characteristics, and select the tube type.

Dimensions
Width x depth x height: 7 x 5 x 2.2 (in.) / 178 x 128 x 56 (mm)

Weight
1.7 lbs (750 g)

Available guitar cab models
2Notes CSG: Two Notes Custom 1×12″ ElectroVoice® EVM12L
Alichino: Cornford® Harlequin 1×12” OB Celestion® Vintage 30 UK
Angl VintC: Engl® 4×12″ Celestion® V30
Bayou: Jenkins® Sound Lab 2×12” OB Eminence® Patriot Swamp Thang
BDeLuxe: Fender® Blues Deluxe 1×12″
Blonde 63: Fender® Bassman ’63 Blonde Tolex Piggy Back 2×12″
Brit 65C: Marshall® 1965A 4×10″ Celestion® G10L-35 closed back
Brit 65O: Marshall® 1965A 4×10″ Celestion® G10L-35 open back
Brit Std: Marshall® JCM900 2×12″ Celestion® G12T
Brit VintC: Marshall® Slash Signature 4×12″ Celestion® V30 closed back
Brit VintO: Marshall® Slash Signature 4×12″ Celestion® V30 open back
Calif C90: Mesa/Boogie® 1×12″ Celestion® C90 (Black Shadow)
Calif StdC: Mesa/Boogie® Rectifier® Standard 4×12″ Celestion® V30 closed back
Calif StdO: Mesa/Boogie® Rectifier® Standard 4×12″ Celestion® open back
Can Abyss: Supro® Clone 1×12” OB Eminence® Patriot Cannabis Rex Hemp Cone
Eddie: Peavey® 5150 2×12″ Sheffield 1200
Feline: Bad Cat® 2×12” OB Celestion® Bad Cat® Proprietary
Ferret: Suhr® Badger 2×12” OB Warehouse® Veteran30
Forest: Elmwood® 2×12″ Celestion® V30
Free Rock: VHT® Deliverance 4×12″ Eminence® P50E
Free Rock2: VHT® Deliverance 2×12″ Eminence® P50E
Green Tri: Hughes&Kettner® Triamp 4×12″ Celestion® Greenback
Jazz 120: Vintage Roland® JC120 2×12″
JubilGreen: Marshall® 2550 2×12″ Celestion® Greenback
JubilV30: Marshall® 2550 2×12″ Celestion® V30
Kerozen: Diezel® 4×12″ Celestion® G12K-100
Monarch: Tone King® Galaxy 2×12” OB Tone King® 33′ Custom Designed
Prime A: Divided by Thirteen® FTR37 2×12” OB Celestion® Blue & G12H30 70th Anniversary (mic G12H30 side)
Prime B: Divided by Thirteen® FTR37 2×12” OB Celestion® Blue & G12H30 70th Anniversary (mic Blue side)
R2D2: Musicman® 112 RD 1×12” Electro-Voice® EVM12L
RackHero: Custom Audio Amplification® 4×12” CB Alien Transformer® 20W Greenback clones
Silver77: Vintage Fender® Twin Reverb® 2×12″ orange JBL®
SilverJen: Vintage Fender® Twin Reverb® 2×12″ Jensen® C12K
StrongBack: VHT® Fat Bottom 4×12″ Eminence® P50E
The One: Brunetti® Neo1512 1×15″ + 1×12″
Twill 15: Clark® Tweed Replica 1×15” OB Jensen® 1959
Vibro Utah: Vintage 1961 Fender® Vibrolux® 1×12″ original Utah speaker
Vibro V30: Vintage 1961 Fender® Vibrolux® 1×12″ Celestion® V30
Voice 30: Original Vox® AC30 JMI 2×12″ Celestion® “Silver Bell”
Voice 65: 1965 Vox® 2×12″
VoiceModrn: Vox® V212H, 2×12″ Celestion® Alnico Blue
Watt FanC: Hiwatt® 2×12″ Fane closed back
Watt FanO: Hiwatt® 2×12″ Fane open back
XTCab: Bogner® 4×12″ Celestion® V30

Bass cabinets
2Notes CSB: Two Notes Custom 1×15″
Alu XL: Hartke® XL 4×10″
AZ Ben: SWR® Big Ben 1×18″
AZ Work: SWR® WorkingMan 4×10″
Calif Low: Mesa/Boogie® 2×10″
Fridge: Ampeg® 8×10″
Heaven Bot: David Eden® 1×15″
Heaven Top: David Eden® 4×10″
Marco: Markbass® 2×10″
New York: Markbass® 4×6″
Rea One: AER® Cab One 2×10″
Voice V125: Vox® V125 2×12″
WGrandBlvd: Ampeg® B15N 1×15” CB Jensen® C15N, Vintage Ceramic

8 studio microphones
Ribbon 121, based on Royer® R121
Ribbon 160, based on Beyerdynamic® M160N
Dynamic 57, based on Shure® SM57
Dynamic Bass52, based on Shure® Beta 52
Dynamic 421, based on Sennheiser® MD421
Dynamic Bass20, based on Electrovoice® RE20
Condenser 87, based on Neumann® U87
Condenser Knightfall, based on Blue® Dragonfly

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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