Zoom took the groundbreaking design of its G3 pedal and dialed it up a notch with the G5 Guitar Effects and Amp Simulator Pedal. The G5 combines the ease of a stompbox pedalboard and the power of a multi-effects pedal and USB audio interface, along with an extra LCD display/footswitch interface, Tube Booster, 3D Z-pedal and additional amp models and effects. While extremely easy to use, the G5 gives you the ultimate in control over your guitar tones for in stage and studio settings.
Up to nine simultaneous stomps.
The G5 offers four large LCD displays and corresponding footswitches that form a graphical interface, allowing you to utilize up to nine stompbox and amp effects simultaneously. The interface has also been simplified with three control knobs for each display. This intuitive design makes creating, saving and rearranging the effect chain of your own sounds a breeze and provides easy navigation in live and studio settings.
Tube Booster for amp overdrive.
The G5’s Tube Booster footswitch allows you to add sudden power and intensity to your performance, particularly when soloing. While its Boost control can add up to 16dB of amp overdrive, the Tone knob lets you control the EQ of your sounds with the added volume. The Tube Booster also offers extra power when recording directly to a line input.
Z-pedal offers 3D parameter control.
The Z-pedal offers 3D action for a new sense of effect control. Not only can you press the pedal up and down as usual, you can also move it side to side. With 20 effects designed specifically for use with the Z-pedal, you can achieve complex tonal changes that are unlike any before. Furthermore, you can assign 3 parameters from any the 120 effects as you like using custom settings. With one foot on the pedal, take off into uncharted territory with creative effect sounds.
Evolution of tube amp simulation.
A newly developed sigmoid curve clipper re-creates the smooth clipping of a tube amp’s waveform. With its tube distortion, the G5 can simulate amplifier sounds, including clean, crunch and full-gain drive tones that are authentic to the original models while maintaining the nuances of picking and strumming techniques.
The newest generation of DSP: ZFX-IV.
The all-new ZFX-IV DSP effects processor boasts amazing power and clarity, upgrading everything from sound to functionality and operability over previous ZFX versions. By using 32-bit floating-point processing, the G5 can produce amplifier sounds that are more realistic than ever before.
Super-real amp modeling.
The G5’s 22 super-real amp models range from vintage to the latest trends in amp technology, each with its own distinct cabinet modeling that can be used to alter its tone characteristics. By combining amplifiers and cabinets, you can digitally design your own custom rig. The G5’s modeling technology provides the best tone for both live performance and direct recording.
World-renowned stompbox effects.
The G5 offers over 120 diverse types of stompbox effects, including some of the world’s most popular guitar pedals and rack-mounted processors. You can use up to nine effects in any combination. The G5’s wide range of effects includes distortion, compression, modulation, delay, and reverb. Its HD Reverb uses DSP power to produce a rich resonance that rivals outboard gear used in professional studios and live setups.
Over 140 versatile effects on-board.
Select from over 140 built-in DSP effects to create your own sounds on the G5. Try its renowned compression and wah pedals, chorus effects with stunning depth and resonant reverbs. Or let your tonal imagination run free with dynamic flangers, tremolos, harmonized pitch shifters, multi-tap delays, reverse delays and much more. It also includes over 150 patches personally designed by professional guitarists: Richie Kotzen, Kiko Loureiro(ANGRA), Rob Caggiano(ANTHRAX) and Mike Orlando. In addition, the G5 can store up to 297 (99 banks x 3 patches) of your original creations without a hitch.
Looper function with 60-second phrase recording/overdubbing.
The G5’s Looper capabilities include 60 seconds of phrase recording and overdubbing. The “sound-on-sound” function allows you to layer guitar sounds as many times as you want in real time and use looped sounds as simple backing tracks. You can even create a “full band” feel with the built-in drum machine and DSP effects for a live solo. Note: When the UNDO/REDO function is enabled, the recording time is limited to 30 seconds.
Your personal drummer.
Every guitar player needs a drummer, and with the G5 you can choose from over 40 different rhythm patterns, including 4, 8 and 16-beat, shuffle and many others. The tap key also makes it easy to set tempo and start a one-man jam session anytime.
USB audio interface for DAW recording.
The G5 operates as an audio interface, letting you record directly to your computer via USB. All of your sound settings used during rehearsals or live performances can be recorded to your favorite DAW such as the included Steinberg Cubase LE recording software. The pedal’s direct monitoring capability eliminates any latency issues, assuring realistic studio conditions and hassle-free operation.
Balanced XLR output for DI use.
With its built-in XLR output, you can avoid DI boxes completely and directly connect the G5 to any mixing console and maintain a balanced, high quality signal. Its convenient Pre/Post switch can direct an effected sound to the main outputs while sending the original analog guitar signal directly to the XLR output without passing through an A/D converter.
Output modes for stage or studio.
Different output modes allow you to optimize G5’s tones based upon its connection with your personal rig. In addition to modes for the front inputs of combo and stack amps, G5 can be used as a preamp when connected to a power amp input. By selecting the direct mode with a line connection, you can achieve a realistic guitar sound that is optimal for live use and recording.
Accurate, real-time Tuner function.
The pedal’s Tuner function offers smooth, real-time response with precise guitar tuning accuracy. Whether you’re in the middle of a performance or practicing alone in your room, simply hold down the pedal’s center footswitch to start getting your strings back in tune. In addition, the G5’s LCD displays and LED indicators make the Tuner easy to see on a dark stage, where you can also mute the output to tune silently.
Super-low noise design.
The G5’s super-low noise design virtually eliminates background noise and the ZNR noise reduction removes feedback and other unwanted sounds, providing you with clear tones, along with natural decay and reverb tails.
Super fast patch change speed.
With the G5’s amazing 1.6ms patch change speed, you will never miss a beat. Change from rhythm playing to a solo in an instant by simply tapping a switch.
Optional expression pedal and footswitch.
Connect an optional FP02 expression pedal to the G5 and control volume in real time. Use an optional FS01 footswitch to tap the tempo used for the drum machine, looper and effects. You can also use an FS01 to mute the Delay/Reverb input or turn Delay Hold on or off.
Free Edit&Share software for Mac/PC.
Zoom’s Edit&Share software, which is available as a free download for the G5, allows you to create, edit and save your personalized amp and effect settings on your computer. Use its amp/effect sorting feature to easily locate your sounds and drag-and-drop options to rearrange patches for editing purposes. With Edit&Share, you can download the latest patches online, as well as share your patches with others.
● Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH. ● Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation. ● All features and specifications are subject to change without notice.
Effect Types 145
Simultaneous Effects 9
Patch Memory 3 patches x 99 banks
Sampling Frequency 44.1kHz
A/D Conversion 24bit, 128times over-sampling
D/A Conversion 24bit, 128times over-sampling
Signal Processsing 32bit floating point and 32bit fixed point
Frequency Response 20Hz〜20kHz +1dB -3dB (10kΩload)
Display LCD x 4
Input 1/4'' phone jack
Rated input level: -20dBm
Input impedance: 1MΩ
ACTIVE / PASSIVE (Switch selectable)
L / R 1/4'' phone jack x 2, Maximum output level: +5dBm (Output load impedance 10kΩ or higher)
Phones 1/4'' stereo phone jack, Maximum output level: 20mW + 20mW (into 32Ω load)
Balanced Output XLR jack
Output impedance: 100Ω(HOT-GND、COLD-GND), 200Ω(HOT-COLD), PRE / POST (Switch selectable), GND LIFT(Switch selectable)
Control Input For FP02 / FS01
USB Audio Interface: 16bit / 44.1kHz
Supported OS: Windows XP / Vista / 7 / 8, Mac OS X v10.5 / 10.6 / 10.7
Power DC9V / Center negative / 500mA (AC adapter: ZOOM AD-16)
Dimensions 190（D） x 470（W） x 90（H） mm
Options FP02 expression pedal, FS01 foot switch
Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.
For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.
For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.
I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)
|Play||Right Click to Download|