30+ And Just Warming Up
The SCF pedal is the TC Electronic epitome of awesome. It was a smash hit when it came out and then naturally progressed to an industry standard unlike anything after. Still used in every pro-studio and on countless pro guitarists' pedalboard, the SCF's beautiful sounds continue to define music.
SCF Stereo Chorus Flanger's Resume
Chorus/Pitch modulation/Flanger mode
Mono Input to Mono or Stereo Out
Bypass control that allows you to bypass the effect via any external relay switching system
Headstart Through Progress
The SCF sounds need no explaining. Sweet, glorious and ultra-musical, these effects don't just react to your playing, they become part of it. And not only that, this pedal houses three different effects: chorus, flanger and pitch modulation (vibrato). And to this day, we hand craft SCF pedals in Denmark just like we did 33 years ago - we like keeping them close to heart.
Design Defies Dates
The circuitry of the SCF is rock solid and the whole pedal is in fact designed specifically to do what you want it to do with as little noise as possible. We're not gonna get all nerdy here, but we dare you to find a 33-year-old pedal with as good a signal-to-noise ratio. Which means no annoying hiss, hum or other distractions.
Spread the Joy
We love guitarists. We don't really care if you are a bedroom shredder or the reincarnation of Django Reinhardt. If you're into playing and tone - we think you rock. But, there is no denying a fair share of famous guitarists use our SCF pedal. Can we namedrop for a second here? Eric Johnson, Joe Bonamassa and John Petrucci would be a good place to start and there's many more...
General Dynamic Range >100 dB
Frequency Response 20-20 kHz
Input Impedance 1 Mohm
Output Impedance 500 ohm
Max Input Level +9 dBu
Input Gain Range 0 to +15 dB
Max Output Level +14 dBu
Distortion <0.1 %
Maximum Delay max 15ms
Noise Reduction Fast action, 2:1 slope
Power 200-240 V or 100-120 V
Size (L x W x H) 124 x 98 x 31 mm
Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.
For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.
For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.
I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)
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