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Les Paul Studio ‘60s Tribute Darkback — Street: Market Value (Discontinued)

Les Paul Studio ‘60s Tribute Darkback - Neck Position Clean Rhythm Signal Chain

  • Gibson Les Paul Studio ‘60s Tribute Darkback
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  • Avid Digi 003
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Les Paul Studio ‘60s Tribute Darkback - Neck Position Clean Rhythm

  • Gibson Les Paul Studio ‘60s Tribute Darkback
  • D’Addario EPS510 ProSteels, Regular Light, 10-46
  • Fishman Asterope Pro Studio AST-P15-SSG
  • Millennia Music & Media Systems HV-37
  • Radial JCR Reamp
  • Strymon OB.1
  • Eventide H9
  • Fender ‘65 Deluxe Reverb (reissue)
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core
  • Toontrack EZ Drummer

Les Paul Studio '60s Tribute Darkback
Ever since its arrival on the scene in 1983, the Les Paul Studio model has been a firm favorite with guitarists looking for Les Paul tone and performance in a down-to-business package that's light on frills, heavy on swagger and easy on the pocket. In honor of unique incarnations of the Les Paul from the 1960s, Gibson USA is proud to present the Les Paul Studio '60s Tribute Darkback. With the fast SlimTaper™ neck profile first found on the great Les Paul Standards of 1960, and the P-90 pickups that appeared on the Les Paul when it was reintroduced in 1968, the Les Paul Studio '60s Tribute Darkback is a powerful and surprisingly versatile performer, at a price that won't dent the hardworking guitarist's budget. To top it off, the guitar looks great in your choice of four grain-textured satin finishes: Satin Vintage Sunburst, Satin Gold Top (Dark Back), Satin Honeyburst (Dark Back) and Satin Ebony Black, all in genuine nitrocellulose lacquer, of course.

Like the most revered Les Paul Standards of all time, this Les Paul Studio '60s Tribute Darkback starts with the classic tonewood combination of a mahogany body with solid carved maple top. Together, these woods offer outstanding tonal depth and richness from the mahogany, with superb clarity and "snap" from the maple. In this model, the strategic placement of several tone chambers enhances resonance while also reducing the guitar's overall weight. And even in this more affordable instrument from Gibson USA, the glued-in solid-mahogany neck is cut to the superior "quarter-sawn" grain orientation for greater strength and optimum resonance transfer between neck and body. A lack of body and fingerboard binding help to emphasize the no-nonsense approach of this Studio model, but a traditional pickguard and acrylic trapezoidal inlays in the guitar's Baked Maple fingerboard (a hard-wearing, heat-treated hardwood) keep it entirely in the Les Paul family, visually.

To equip the Les Paul Studio '60s Tribute Darkback with timeless tones, Gibson USA loads it with a pair of P-90s, Gibson's legendary, fat single-coil pickups made with genuine Alnico V magnets just like the originals. Offering thick, throaty tones in the neck position and plenty of snarl in the bridge, both pickups exhibit the characteristic slightly gritty bite and edge that has made the P-90 a favorite of blues and rock players for more than six decades. They are wired through the traditional complement of three-way selector switch and an independent volume and tone control for each pickup, with a high-quality Orange Drop .022uF tone cap on each tone pot. A Tune-o-matic bridge and stopbar tailpiece help to ensure solid sustain and precise intonation, while vintage-style TonePros® tuners maintain a traditional look while offering superbly smooth performance. Add it all up, and the Les Paul Studio '60s Tribute Darkback offers outstanding performance and a classic look at a great price.

Each guitar includes a Gibson Gig Bag and owner's manual, and is covered by Gibson's Limited Lifetime Warranty and 24/7/365 Customer Service.
 

Body
Top Maple
Back Mahogany
Body Type Chambered
Adhesive Franklin Titebond 50

Neck
Species Mahogany
Profile 60's SlimTaper™
Truss Rod Traditional Adjustable
Joint Angle 5° (+/- 15 seconds)
Adhesive Franklin Titebond 50

Neck Fit
Joint Mortise & Tenon
Adhesive Franklin Titebond 50
Joint Angle Tolerance +/- .005"

Fingerboard
Species Baked Maple
Frets 22
Radius 12"
Nut/E.O.B 1.695"/2.260"
Inlays Figured Acrylic Trapezoids

Nut
Material Corian
Width 1.695
Slots Gibson PLEK System

Headstock
Logo Gold "Gibson" Logo with scripted "Les Paul Model"
Truss Rod Cover Black and White Antique Bell

Tuners
Model Vintage Tuners with Perloid Buttons
Plating Nickel
Tuning Ratio 14:1

Bridge
Type Nashville Tune-O-Matic
Material Zamak
Plating Chrome

Tailpiece
Type Stop Bar
Material Zamak
Plating Chrome

Hardware
Knobs Gold Top Hat with Chrome Inserts
Pickguard Aged Cream with P-90 Cutaways
Toggle Switch Washer Cream with Gold Silkscreen
Control Plate Cover Black Acrylic
Strings .010 - .046, Genuine Gibson strings
Strap Buttons Aluminum

Pickups
Neck Position P-90
Bridge Position P-90

Electronics
Potentiometers 2 Volume Controls, 2 Tone Controls
Type 300k Linear Volume, 500k Non-linear Tone
Capacitors Orange Drop .022uF
Coil Wiring Machine Wound
Toggle Switch Three-way Switchcraft with Creme Plastic Tip
Output Jack Traditional 1/4"

Available Finishes
Sealer Nitrocellulose
Process 1-1.5 milsSatin Honeyburst Dark Back Satin Gold Top Dark Back Satin Ebony Satin Vintage Sunburst

Case
Type Gibson Gig Bag
Case Exterior Black

Accessories
Additional Materials Each Les Paul Studio '60s Tribute Darkback comes with adjustment literature, and documentation for the guitar’s Limited Lifetime Warranty, along with Gibson’s 24/7/365 Customer Service.

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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