The Les Paul Junior has remained a no-nonsense favorite of rock ’n’ rollers ever since its introduction way back in 1954. This single-cutaway, slab-bodied electric guitar always has had a simplicity and affordability that has appealed to punk, blues, grunge and garage rockers, along with an impressive tonal depth and purity that has landed it in the hands of players in plenty of other genres as well. The original Junior and Special models were distinguished by their single and dual P-90s, respectively. Gibson’s original fat single-coil pickups have been favorites of countless tone-conscious players since their arrival on great Gibson archtops way back in 1946. Now with the Les Paul Junior Special P-90, Gibson USA combines the attributes of these two affordable classics in a two-pickup guitar that is equipped to take you everywhere that the best dual-P-90-loaded guitars of the past six decades were able to go. The Les Paul Junior Special P-90 is loaded with classic hardware, and finished in your choice of eight great vintage and contemporary finishes—Satin Cherry, Satin Ebony, Satin Vintage Burst, Satin Yellow, Gloss Yellow, Gloss Ebony, Tobacco Burst and Heritage Cherry, all in hand-sprayed nitrocellulose lacquer—representing an outstanding value in an astoundingly versatile electric guitar.
The Les Paul Junior Special P-90 pays respect to Gibson heritage and tradition through and through, while offering a handful of well-calculated upgrades to benefit the modern player. Just like the first Les Paul Junior built in Kalamazoo 58 years ago, the Les Paul Junior Special P-90 is made from solid mahogany. An archetypal tonewood used in countless classic Gibson electric guitars, mahogany has a sonic depth and richness that pulses through every note, yet always remains clear and articulate. The guitar’s neck is made from quarter-sawn mahogany, carved to a fast yet comfortable profile that measures .800” at the 1st fret and .875” at the 12th. The fingerboard is made from rich brown baked maple, a heat-treated hardwood that offers outstanding tone and excellent durability, as well as a traditional appearance. Beyond the PLEK-cut Corian™ nut, the headstock is adorned with gold silkscreened “Gibson” and “Les Paul Model” logos, and a two-ply black/white plastic truss-rod cover engraved with “Special.” In an upgrade of the original Juniors, the fingerboard carries stylish white binding, while the guitar wears a five-ply plastic pickguard in the image of the original two-pickup Les Paul Specials.
Taking you straight to the vintage tone zone, the Les Paul Junior Special P-90 carries two of Gibson USA’s extremely accurate recreations of the acclaimed P-90 pickup as built in the 1950s. Both are made with genuine Alnico V magnets for smooth overdriven tones that are nevertheless punchy and articulate, and capture that characteristic P-90 edge and bite, with fat lows and silky highs, and a signature midrange kick that cuts through any mix. For hardware, the Les Paul Junior Special P-90 packs the traditional set of Tune-o-matic bridge with stopbar tailpiece for superb sustain and resonance, with vintage-style pearloid-button tuners. Protected in a padded Gibson gigbag, with an owner’s manual and coverage from Gibson’s Limited Lifetime Warranty, as well as Gibson’s acclaimed 24/7/365 Customer Service, the Les Paul Junior Special with P-90s is one of the best values out there in a genuine Les Paul from Gibson USA.
Adhesive Franklin Titebond 50
Truss Rod Traditional Adjustable
Joint Angle 5° (+/- 15 seconds)
Adhesive Franklin Titebond 50
Joint Mortise & Tenon
Adhesive Franklin Titebond 50
Joint Angle Tolerance +/- .005"
Species Baked Maple
Scale Length 24.75"
Inlays Acrylic Dot
Slots Gibson PLEK System
Logo Silkscreen "Gibson" Logo with Scripted "Les Paul Model"
Truss Rod Cover Black and White Antique Bell with "Special" Imprint
Model Vintage with Perloid Buttons
Tuning Ratio 14:1
Type Stop Bar
Knobs Black Tophat
Pickguard Black Junior 5-Ply
Control Plate Cover Black Plastic
Strings .010 - .046, Genuine Gibson strings
Strap Buttons Aluminum
Bridge Position P-90 (Alnico V)
Neck Position P-90 (Alnico V)
Potentiometers 2 Volume Controls,
2 Tone Controls
Type 300k Linear Volume, 500k Non-linear Tone
Coil Wiring Machine Wound
Toggle Switch Three-way with Black Plastic Tip
Output Jack Traditional 1/4"
Process 1-1.5 mils
Gloss Tobacco, Sunburst, Gloss Yellow, Gloss Heritage Cherry, Gloss Ebony, Satin Vintage Sunburst, Satin YellowSatin Cherry, Satin Ebony
Type Gibson Gigbag
Case Exterior Black
Additional Materials Each Les Paul Junior Special P-90 comes with adjustment literature, and documentation for the guitar’s Limited Lifetime Warranty, along with Gibson’s 24/7/365 Customer Service.
Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.
For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.
For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.
I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)
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