Signal Chain

  • Fender Road Worn 60’s Stratocaster
  • Fishman Asterope Pro Studio AST-P15-SSG
  • Millennia Music & Media Systems HV-37
  • Radial JCR Reamp
  • EarthQuaker Devices The Warden
  • EarthQuaker Devices The Depths
  • EarthQuaker Devices Dispatch Master
  • Fender ‘65 Deluxe Reverb (reissue)
  • Triad-Orbit TRIAD-ORBIT System - T1/O1/M1
  • Audio-Technica AT5040
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

The Warden is an optical compressor with a feature set usually reserved for studio grade units. Built with high grade components and internally powered by 18v, The Warden has loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, The Warden will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. Optical compression has a reputation for having more character than a VCA or FET based compression and The Warden is no exception.

True Bypass and Handmade with sweet loving care in Akron, Ohio.

Measures

4 5/8″ x 2 1/2″ x 2.25″ with knobs

Power

A standard regulated 9-volt DC power supply with a negative center 2.1mm barrel, no battery option. The Warden internally boosts the voltage up to 18v, do not run at higher voltages!
Current draw is around 20ma. We recommend and use Voodoo labs PP+ power supplies.

Controls

Tone: This pedal was designed to slightly color your tone, the coloration can be dialed-in to your taste. Counter clockwise is treble cut, clockwise is treble boost. The tone is nearly flat around 11 O’Clock.

Level: This controls the overall output and is affected by the sustain and ratio settings. There is no specific unity setting, adjust to taste when you find your perfect compression setting

Sustain: This is the heart of The Warden. It controls how hot the signal is, which changes the dynamics of the compression. The Warden is a feedback style compressor, the hotter the signal, the more active the compression. Very little sustain= very little compression, less active attack and release and a cooler signal, Max sustain= heavy compression, longer sustain, hotter signal and more lively attack and release.

Ratio: This determines how much the gain reduction affects the signal. All the way up is full compression and the compression is reduced as you turn this counter clockwise which allows more of the boosted, less compressed, signal to come through. There are no defined ratios here.

Attack: This controls how quickly the compressor reacts and starts leveling the signal. All the way counter clockwise is a fast, nearly immediate reaction. Turning the attack clockwise slows the reaction time.

Release: This controls how long it takes the signal to raise back up to the level determined by the sustain & ratio settings. All the way counter clockwise is a fast release and the release time slows as you turn it clockwise.

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

Play Right Click to Download