Les Paul Studio ‘60s Tribute Darkback - Neck Position Clean Rhythm Signal Chain

  • Gibson Les Paul Studio ‘60s Tribute Darkback
  • D’Addario EPS510 ProSteels, Regular Light, 10-46
  • Fishman Asterope Pro Studio AST-P15-SSG
  • Millennia Music & Media Systems HV-37
  • Radial JCR Reamp
  • Strymon OB.1
  • Eventide H9
  • Fender ‘65 Deluxe Reverb (reissue)
  • Telefunken M80
  • Telefunken M81
  • Avid Digi 003
  • Toontrack EZ Drummer
  • Universal Audio UAD-2 Satellite Quad Core

Les Paul Studio ‘60s Tribute Darkback - Neck Position Clean Rhythm

  • Gibson Les Paul Studio ‘60s Tribute Darkback
  • D’Addario EPS510 ProSteels, Regular Light, 10-46
  • Fishman Asterope Pro Studio AST-P15-SSG
  • Millennia Music & Media Systems HV-37
  • Radial JCR Reamp
  • Strymon OB.1
  • Eventide H9
  • Fender ‘65 Deluxe Reverb (reissue)
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core
  • Toontrack EZ Drummer

- Everything you love about studio optical compressors … right at your feet. From beautifully subtle and transparent compression to vintage squash

- Integrated foot-switchable Clean, Treble and Mid boost. Push the front end of your tube amp to the edge with the OB.1 boost. Internal DIP switches allow selection of the Treble and Mid boost frequencies

- True bypass

- The best choice for a “first in your signal chain” pedal. Everything sounds better with an OB.1

- Saves space on your pedal board by combining your compressor, clean boost, and treble booster. Leaves room for more pedals wink

- Powered with a 9V battery or DC supply. Compatible with all major DC supply brands

- Premium analog signal path and components throughout

- Gorgeous, strong and lightweight Orange anodized aluminum chassis

- Crafted with love in the USA

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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