The Hoof Reaper features our popular Hoof and Tone Reaper fuzz pedals in one handy enclosure with the added bonus of an old school analog octave up. It was originally released as a special limited run item back in 2010 and demand was so high that we decided to reintroduce it back into our line. Capable of creating everything from subtle octave-up overtones through crushing octave squalls that simulate exploding stacks of amps. Each effect can be used individually as well as in series but the order of effects is preset for optimum performance.
Available switching combos:
Reaper + Octave
Hoof + Octave
Hoof + Reaper
Hoof + Reaper + Octave
Use the individual switches to activate the level of mayhem you wish to unleash.
Our flag-ship device! The Hoof is a no-fuss, easy to use device capable of sounds from warm, gritty overdrive to a huge sustaining fuzz. It’s a germanium/silicon hybrid muff style fuzz (based on the old green russian muff) with massive amounts of volume on tap and smooth amp-like sustain. It has a tighter, cleaner sound than most muff’s which makes it more cutting and discernible in a band setting. The shift control is the key to the Hoof’s character, it alters the frequency response of the tone control. Clockwise scoops the mids and counterclockwise enhances the mids. The Hoof has become the go-to fuzz for many well known fuzz connoisseurs.
Tone Reaper Description:
The Tone Reaper is a vintage style fuzz device based on the “3 knob” bender. It’s a silicon/germanium hybrid capable of producing a wide range of tones from every bender era with careful tweaking of the tone and fuzz controls. From thin and spitty to thick growling sustain, its all here.
5.5″ x 4.5″ x 2.5″ with knobs.
A standard 9 DC power supply intended for musical instruments with a negative center 2.1mm barrel, 100ma minimum. We strongly recommend a high quality power supply with isolated outputs and good filtering to avoid unwanted noise. No battery Option.
Tone: Treble to the left, Bass to the right
Fuzz: Controls the sustain and nature
Level: Controls the output
Fuzz: Controls Sustain and Gain
Tone: Treble to the right, Bass to the left
Level: Controls the output
Shift: Controls the mid frequencies. More pronounced to the left, scooped to the right.
Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.
For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.
For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.
I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)
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