The Dispatch Master has grown to be one of the most popular and versatile delay/reverb pedals on the market. Loved for both its small size and lush sound, the Dispatch Master is capable of producing nearly 2 seconds of delay time with near-infinite repeats and a cavernous reverb. The delay signal is clear and strong with no after effects or signal degradation and the repeats decay into a nice ambient swell with no oscillation. The reverb is MASSIVE and is sure to please those who love our Ghost Echo but want more modern depth and less artifacts. Both effects can be run separately or in unison. When using the reverb with no delay, the repeats control can be used to thicken up the reverb and give it more dimension. The Dispatch Master features a digital delay and reverb line with an all analog direct signal path and true bypass switching.
4.37″ X 2.37″ X 1.75″ with knobs
Time: Sets the delay time, from 0ms to nearly 2000ms
Repeats: Controls the regeneration of the delayed signal. Also acts as a enhancer for the reverb. In reverb mode this will control the thickness, decay, depth and overall nature of the reverb.
Reverb: Clockwise for more reverb, counterclockwise for less.
Mix: Adjusts the over all level of the effected signal
To use as a reverb only, turn the time control all the way down and adjust the reverb and mix controls to taste. In this mode, the repeats control can be used to enhance the thickness, decay, depth and overall nature of the reverb. With the reverb control at its maximum setting, the repeats control will gradually overload the effect at higher settings.
To use as a delay only, turn the reverb control all the way down and adjust the time, repeats and mix controls to taste.
To use both effects in unison, adjust all controls to taste.
A standard 9 volt DC power supply with a negative center 2.1mm barrel, no battery option. We do not recommend using this pedal on a daisy chain. Please use a a dedicated power supply or isolated output from a multiple tap power supply for best performance.
Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.
For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.
For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.
I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)
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