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SOLO — List: $179.99 Street: $99.99

The SOLO is the newest member of the Pro Co family of stomp boxes.  Although it is housed in the same indestructible and road worthy steel enclosure that has come to be a trademark of Pro Co stomp boxes, the SOLO marks a departure from the RAT series of pedals in more ways than just the new cosmetics.  With its enormous range of tones, 3 way selectable clipping modes  (“hot, melt, & burn”), and highly interactive “scoop” and  “tone” controls, the SOLO just might be the most versatile pedal in your arsenal.

Don't let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars.  Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most:  The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound. 

Even in its highest gain settings, the SOLO remains extremely tube-like, articulate and touch sensitive.  Complex chords ring out with clarity, leads sustain with ease.  Roll back your volume knob and it cleans up, just like a good tube amp would. 

The solo uses three pairs of carefully matched (or should we say, carefully mismatched) clipping diodes to produce asymmetrical clipping.  The three pairs are accessible via the “hot, melt, burn” slider switch.  This has the effect of making the SOLO clip very much like a tube amp going into natural power tube distortion. 
Pro Co Sound also makes several other highly regarded effects including the popular RAT2, Turbo RAT, You Dirty RAT, and Deucetone. Each effect has its own unique tone structure.

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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