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Titan — List: $489.99 Street: $399.99

Signal Chain

  • Gretsch G6131T-TVP Power Jet Firebird
  • D’Addario EXL110 Nickel Wound, Regular Light, 10-46
  • Dunlop Manufacturing Tortex 1mm Blue
  • Red Witch Titan
  • Fender Pro Reverb (c. 1965)
  • CAD Audio Trion 7000
  • AEA RPQ Ribbon Pre
  • Avid Digi 002
  • Universal Audio UAD-2 Satellite Quad Core

Signal Chain

  • Gretsch G6131T-TVP Power Jet Firebird
  • D’Addario EXL110 Nickel Wound, Regular Light, 10-46
  • Dunlop Manufacturing Tortex 1mm Blue
  • Red Witch Titan
  • Fender Pro Reverb (c. 1965)
  • CAD Audio Trion 7000
  • AEA RPQ Ribbon Pre
  • Avid Digi 002
  • Universal Audio UAD-2 Satellite Quad Core

The Titan! A Triptych of Time Transformers! A Trinity of Time Tailors! A Troika of Time Tools!

Yes indeed, housed in this one small box is not one, not two, but three completely independent delay units!!!!!!

The Titan's triumvirate of time tantalizers allows you to create an array of truly unique and original delay sounds. Voiced for the ultimate analog styled sound, the Titan provides three 800m/sec delays.

We use the classic analog delay compander to ensure the ultimate recreation of an analog flavored delay, which works hand in hand with our more contemporary delay engines.

Add to all of this a modulation loop on the first delay plus all the other goodies you would normally expect from the Red Witch delay and you'll be delaying to your hearts content in no time flat, flat, flat, flat, no time flat, flat, flat, flat, no time flat, flat, flat, hearts content in no time flat, flat, no time flat, flat, flat, flat, no time flat, flat, flat, hearts content in no time flat, flat.

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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