Signal Chain

Signal Chain

Signal Chain

Like the Replay, the Replay Junior delivers tape-like goodness and has the same audio and delay circuits as the Replay, in a more pedal board friendly package.

Andy's objective was very simple: To create a series of delays that delivered the warmth and musicality of tape, without the hassles and costs of replacing tapes, belts, motors and maintenance. Sure, everyone loves the sound of tape, who needs all the hassles? If you’re like us, you want "that sound" and nothing more.

The Replay Junior features up to one second of pure warm delay. Using the same unique circuit topology like the Replay, The Replay Junior has a True High Voltage switching power supply providing 300 volts to a genuine tube audio stage. It also features the same proprietary great-sounding digital technology used in many of our pedals, for the delay line. The enclosure is cast aluminum, and precision machined. It features ultra-bright LEDS for highest visibility on stage or even outdoors. The control panel features: LEDS for: Echo mute and temp indication. The Replay Jr operates is as simply as a tape delay. No fancy programming, or software silliness. Designed by musicians for musicians.

The control panel is clear, concise, and user-friendly. Controls are delay time, mix, wow and flutter, repeats and fidelity. The fidelity control allows you to tailor the repeats from digitally clear to tape smoothness. An internal switch allows you to set the output to delay only for use through a parallel effects loop, or for stereo ping-pong operation. While the Replay Jr may be used on a pedal board in-front of an amplifier, for best performance, we encourage its use in an effects loop. The Replay Jr is simple to operate its unique retro styling is equally at-home in a studio, as it is on a stage.

Power: 300 ma from 9VDC external power supply (included) via 2.1 MM tip negative connector. Internal switching power supply produces 300-VDC for tube and regulated 6-V DC for tube filaments. Use of this device with more than 9-VDC input is not recommended and voids warranty. As internal supplies are regulated, there is no benefit to higher input voltages.

Input: 1-Meg impedance signals from 500 to 1-Volt level.

Mix output: 10-K output impedance 1-volt level max.

Weight 1-lb. Powder coated die-cast machined aluminum enclosure with heat treated silk screening.

Tube compliment: 1-12AX7 premium audio tube. Tube life estimated at 5-years of normal service.

Premium Neutrik jacks, Cliff switches, Alpha or Bourns metal-shaft potentiometers.

Digital delay technology: 32-Khz clock speed, 16 Khz bandwidth. 20-ms to 1-second delay range.

Tap Temp circuit: Designed by Ron Menelli of RJM Music Products.

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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