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Nova Delay ND-1 — List: $359.00 Street: $239.99

Delay Goes SuperNova

When you are the company that did the 2290, it's easy to get complacent. But we just want to move forward into the new and when we saw a need in the market for a compact, yet feature-rich delay pedal, we knew exactly what to do - introduce the Nova Delay!

6 studio quality delay types
Preset- and manual mode
9 user programmable presets
6 Super Sounds - Endless Possibilities
Nova Delay houses 6 delay types and 2290 MS of delay time. Add the modulation options and you've got yourself a delay that came to play!

Manual Or Preset
Combining the ease of use of presets with the freedom and control, Nova Delay offers a manual mode plus 9 presets. You can toggle between manual mode and one of the presets at any time.

Set To Stay
Nova Delay features room to rock with 9 preset positions you can fill with sounds you can instantly recall.

Backstage Pass - All Access
Nova Delay has an awe-inspiring range of sounds, but dialing in sounds is easy-peasy and the controls are so distinct you’ll always immediately hear what you’re doing.

ND-1 Nova Delay Tech Specs

Analog Inputs


1/4” phone jacks w. monosense

1 MOhm

Max. Input Level

A to D Conversion
24 bit, 128 x oversampling bitstream

A to D Delay

Dynamic Range
105 dB typ, 20 Hz - 20 kHz

THD typ.
< 92 dB (0,0025 %) @ 1 kHz

Frequency Response
+0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz

<-95 dB, 20 Hz to 20 kHz

Analog Outputs


1/4” phone jack, balanced

Impedance Balanced / Unbalanced
40 Ohm

Max. Output Level

D to A Conversion
24 bit, 128 x oversampling bitstream

D to A Delay

Dynamic Range
105 dB typ, 20 Hz to 20 kHz

THD typ
<-94 dB (0.002 %) @ 1 kHz, +20 dBu Output

Frequency Response
+0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz

<-100 dB, 20 Hz to 20 kHz

EMC Complies with
EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B


Operating Temperature

32° F to 122° F (0° C to 50° C)

Storage Temperature
-22° F to 167° F (-30° C to 70° C)

Max. 90 % non-condensing


Anodized aluminum front Plated and painted steel endcaps

12,5 x 12,5 cm

Mains Voltage
100 to 240 VAC, 50 to 60 Hz (auto-select) AC wall adapter

Power Consumption
<5 W

Warranty Parts and labor
1 year

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

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