Echolution is the world’s finest delay pedal. A hybrid of analog and digital technology, Echolution’s ethereal tape echo sound can be manipulated by a creative arsenal of features as Pigtronix Echolution drenches your tone in analog goodness with a world class pre-amp driving a pair of proprietary analog tape emulation filters, a hi-cut stage and stereo outputs. The echoes are further massaged by chorus and tremolo modulation.
Independent Tap Tempo and Modulation modes allow you to switch between different sounds on the fly, with a maximum delay time of 12 seconds. A newly updated precision tap tempo algorithm matches the beat with only two stomps while the expression pedal jack allows for external adjustment of delay time.
The Modulation Delay operates over three distinct time ranges, providing easy access to a huge array of delay-based effects. The short setting (10ms-120ms) provides stereo chorus, reverb and slap-back sounds. The medium setting (100ms-1.2sec) covers classic BBD and tape echo territory with lush modulation and rich dub tone. The long setting (1sec- 12sec) allows for epic sound on sound jams, sampling, reverse playback and rhythmic multi-tap patterns.
The Multi-Tap toggle switches introduce any combination of five additional echoes at musical fractions of the master delay time. This is like having up to 6 delay pedals in a parallel! The fractions are be based on quarter note and triplet subdivisions or can be aligned to the Golden Ratio. The Golden Ratio (PHI) is a naturally occurring spiral rhythm that is found throughout the universe. PHI is observed in the shapes of galaxies, DNA and in the work of many great musicians.
Echolution is more than a pedal, it is an electronic instrument that will expand your mind and your music.
In an age where most pedal makers are making variations on vintage designs, Pigtronix is forging new paths while building upon the lessons learned over the history of audio manipulation. They are pushing the sonic envelope while staying true to classic tone. The Echolution goes where no delay has gone before, yet still is the best sounding (non-tape) delay I’ve heard. I just had Dave Friedman put the Echolution in my touring rig. - Richard Fortus with Guns and Roses.
Unique Analog / Digital hybrid Architecture
Switchable Tap Tempo and Modulation Delay
Chorus and Tremolo modulation
Reverse and Loop modes with remote Switching
6-Part multi Tap with (Phi) Golden ratio switch
Trails switch lets echoes fade naturally after bypass
Capable of Self Oscillation without digital clipping
True Stereo Outputs
Non-Linear Filters provide analog saturation
Pigtronix 15VDC power supply included
Circuit Design by Howard Davis
Sound Design by David Koltai
Chassis Size = 7.4” x 4.6” x 1.5”
Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.
For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.
For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.
I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)
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