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DD-7 — List/Market Price: $264.50 / $149.00

Signal Chain

  • Fender Standard Stratocaster
  • Boss DD-7
  • Roland JC-120
  • Shure SM57
  • AEA TRP
  • Avid Digi 002

Signal Chain

  • Fender Standard Stratocaster
  • GHS Progressives, 9-42
  • Boss DD-7
  • Roland JC-120
  • Shure SM57
  • Avid Digi 002

Signal Chain

  • Ibanez JEM7VWH
  • MXR Bass Compressor
  • Boss DD-7
  • Orange AD30TC 2x12 Combo
  • Celestion Vintage 30, 16 ohm
  • Avid Digi 002
  • Universal Audio UAD-2 Satellite Quad Core

Signal Chain

  • Fender Standard Stratocaster
  • GHS Progressives, 9-42
  • Boss DD-7
  • Roland JC-120
  • Shure SM57
  • AEA TRP
  • Avid Digi 002

Signal Chain

  • Ibanez JEM7VWH
  • MXR Bass Compressor
  • Boss DD-7
  • Orange AD30TC 2x12 Combo
  • Celestion Vintage 30, 16 ohm

Signal Chain

  • Ibanez JEM7VWH
  • MXR Bass Compressor
  • Boss DD-7
  • Orange AD30TC 2x12 Combo
  • Celestion Vintage 30, 16 ohm

Signal Chain

  • Fender Standard Stratocaster
  • Dunlop Manufacturing Tortex 1mm Blue
  • GHS Progressives, 9-42
  • Rocktron Sacred Fire Compressor
  • Boss DD-7
  • Roland JC-120
  • Shure SM57
  • Avid Digi 003
  • Universal Audio UAD-2 Satellite Quad Core

Signal Chain

  • Fender Standard Stratocaster
  • GHS Progressives, 9-42
  • Boss DD-7
  • Roland JC-120
  • Shure SM57
  • AEA TRP
  • Avid Digi 002

Even with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate. The new DD-7 takes the best features from its predecessors and expands the creative potential with Modulation Delay mode, classic modeled Analog Delay mode, External pedal control options, longer delay time, and more.

    - Expanded delay time, up to 6.4 seconds

    - Modulation Delay mode offers natural, chorus-type sounds

    - Analog Delay mode models the classic warm BOSS DM-2 analog delay sound

    - Tap tempo controllable via external footswitch

    - Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately)

    - Up to 40 seconds of recording for sound on sound (Hold mode)

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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