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Reggie Hamilton Signature Jazz Bass — List: $4,650.00 Street: $3,720.00 (Five-String: $3,880.00)

The Reggie Hamilton Jazz Bass® guitar has an active/passive switch, 18-volt power supply and pre-shape sound module that allows the treble and bass center frequency to be shifted. Features include American Series Precision Bass® and Noiseless™ Jazz Bass pickups (four-string model) or custom reverse-wound American Precision Bass and Noiseless™ Jazz Bass pickups (five-string model). Other features include Hipshot® drop tuners on the E (four-string) or B (five-string), modified select alder Jazz Bass body, quartersawn maple neck with five-bolt neck plate, sculpted heel and Schaller® locking strap buttons.

General

Model Name: Reggie Hamilton Signature Jazz Bass® IV, Rosewood Fingerboard, Black
Model Number: 0158400806
Series: Artist
Advertised Price: $3720.00


Body

Body Material: Select Alder
Body Finish: Nitrocellulose Lacquer
Body Shape: Jazz Bass®


Neck

Neck Material: Quartersawn Maple
Neck Finish: Satin Urethane
Neck Shape: Custom "C"
Scale Length: 34" (864 mm)
Fingerboard: Rosewood
Fingerboard Radius: 9.5" (241 mm)
Number of Frets: 21
Fret Size: Vintage-Style
String Nut: Synthetic Bone
Nut Width: 1.5" (38.1 mm)
Position Inlays: Block
Truss Rods: Posiflex™ Graphite Neck Support Rods
Truss Rod Nut: 3/16" Hex Adjustment
Neck Plate: 5-Bolt


Electronics

Bridge Pickup: Custom Noiseless™ Single-Coil Jazz Bass
Middle Pickup: American Standard Alnico V Split Single-Coil Precision Bass
Controls: Active Mode: Master Volume, Pickup Pan, 3-Band Active EQ. Passive Mode: Master Volume, Master Tone, Pickup Pan
Pickup Switching: Pan Pot
Pickup Configuration: SS
Special Electronics: Active Electronics


Hardware

Bridge: 4-Saddle Deluxe Plated Steel Bridge Plate (Strings-Through-Body or Top Load), with Plated Brass Saddles
Hardware Finish: Chrome
Tuning Machines: Fender '70s Vintage-Style Stamped Open-Gear with Hipshot® Bass Xtender™ "Drop D" on the E String
Pickguard: 4-Ply White Pearloid
Control Knobs: Black Plastic
Auxiliary Switching: Active/Passive Push Switch


Miscellaneous

Strings: Fender® USA Bass 7250ML, NPS, (.045-.100 Gauges)
Unique Features: Real White Shell Block Inlays on an Unbound Neck, Hipshot® Bass Xtender Drop D Tuning Key on the E String, Posiflex™ Graphite Neck Support Rods, Black Plastic Knobs and Pickup Covers, 5-Bolt Neck Plate, Sculpted Heel for Easier Access to Upper Frets, Schaller® Straplock System
Included Accessories: Deluxe Black Hardshell Case, Strap, Straplocks, Cable, 4-Pack of Custom Shop Picks, Polishing Cloth, Certificate of Authenticity


Accessories

Polishing Cloth: Polishing Cloth Included
Picks: Includes 4-Pack of Custom Shop Picks
Strap Locks: Schaller® Strap Lock System

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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