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Torpedo C.A.B. — List: $725.00 Street: $549.00

A Torpedo-powered pedal
The Torpedo C.A.B. is a high-end cabinet simulator in a stompbox format. It is not a loadbox, but it does include all the great features of the Torpedo Live, together with an input stage specifically tailored to accept pedal-level signals.

Most notably: the Torpedo C.A.B. is the very first stompbox-style Impulse-Response Loader!


2 assignable footswitches
The Torpedo C.A.B. features 2 user-assignable footswitches. Assignable functions include Preset selection, Bypass, Mute, EQ On/Off and more… Musicians equipped with MIDI rigs will be able to remote-control the Torpedo C.A.B. via MIDI.


We know you love those little effects stompboxes and we definitely want you to use them with our Torpedo C.A.B. Place it at the end of your effect chain and all need to carry your amp will be gone. Plug it into the PA and you will be ready to go with a great sound.

Key features

- Input stage specifically designed to accept pedal-level signals
- Speaker & miking simulation powered by Torpedo technology (32 slots, and over 50 cabinets available)
- 96 kHz / 32-bit float signal processing

- 3rd-party IR compatible (512 available slots)
- Included 5-band EQ with guitar and bass modes
- I/Os: Switchable Guitar/Line In, switchable Amp/Line out, Headphones, USB remote control


Torpedo technology

Many parameters influence the sound of your guitar or bass rig when it comes to recording. Carefully selecting your cabinet and miking options will dramatically improve the sound of your takes. The Torpedo simulation reproduces the tiniest variations of a cabinet’s behavior such as frequency response and distortion (*). Move the microphone in the virtual studio room thanks to the Torpedo IR synthesis, control the phase with the Variphi (*) — all the settings you need to achieve great recordings are here.

(*) VB-101, VM-202 and PI-101 only


High-quality electronic design

The best simulation is nothing without a perfectly designed analog and digital circuit. Two Notes focuses on the whole signal chain, from your amp or preamp output to the PA, monitor, headphones, or recorder to guarantee the best performance. Guitar and bass players deserve studio-quality gear!


Power amp emulation

Connect your preamp or stompbox to your Torpedo Live, C.A.B., or PI-101. They embed our component-based tube power amp simulation. Simply choose the amp design and characteristics, and select the tube type.



Width x depth x height: 7 x 5 x 2.2 (in.) / 178 x 128 x 56 (mm)



1.7 lbs (750 g)


Power amp simulation

- 4 tube types : EL84, EL34, 6L6, KT88

- 2 different circuit topologies : classe A / single ended, classe AB / push pull

- 2 different modes : pentode, triode

- Settings : Volume, Presence, Depth, Pentode / Triode switch


Available guitar cab models

- 2Notes CSG: Two Notes Custom 1×12″ ElectroVoice® EVM12L
- Alichino: Cornford® Harlequin 1×12” OB Celestion® Vintage 30 UK
- Angl VintC: Engl® 4×12″ Celestion® V30
- Bayou: Jenkins® Sound Lab 2×12” OB Eminence® Patriot Swamp Thang
- BDeLuxe: Fender® Blues Deluxe 1×12″
- Blonde 63: Fender® Bassman ’63 Blonde Tolex Piggy Back 2×12″
- Brit 65C: Marshall® 1965A 4×10″ Celestion® G10L-35 closed back
- Brit 65O: Marshall® 1965A 4×10″ Celestion® G10L-35 open back
- Brit Std: Marshall® JCM900 2×12″ Celestion® G12T
- Brit VintC: Marshall® Slash Signature 4×12″ Celestion® V30 closed back
- Brit VintO: Marshall® Slash Signature 4×12″ Celestion® V30 open back
- Calif C90: Mesa/Boogie® 1×12″ Celestion® C90 (Black Shadow)
- Calif StdC: Mesa/Boogie® Rectifier® Standard 4×12″ Celestion® V30 closed back
- Calif StdO: Mesa/Boogie® Rectifier® Standard 4×12″ Celestion® open back
- Can Abyss: Supro® Clone 1×12” OB Eminence® Patriot Cannabis Rex Hemp Cone
- Eddie: Peavey® 5150 2×12″ Sheffield 1200
- Feline: Bad Cat® 2×12” OB Celestion® Bad Cat® Proprietary
- Ferret: Suhr® Badger 2×12” OB Warehouse® Veteran30
- Forest: Elmwood® 2×12″ Celestion® V30
- Free Rock: VHT® Deliverance 4×12″ Eminence® P50E
- Free Rock2: VHT® Deliverance 2×12″ Eminence® P50E
- Green Tri: Hughes&Kettner® Triamp 4×12″ Celestion® Greenback
- Jazz 120: Vintage Roland® JC120 2×12″

- JubilGreen: Marshall® 2550 2×12″ Celestion® Greenback
- JubilV30: Marshall® 2550 2×12″ Celestion® V30
- Kerozen: Diezel® 4×12″ Celestion® G12K-100
- Monarch: Tone King® Galaxy 2×12” OB Tone King® 33′ Custom Designed
- Prime A: Divided by Thirteen® FTR37 2×12” OB Celestion® Blue & G12H30 70th Anniversary (mic G12H30 side)
- Prime B: Divided by Thirteen® FTR37 2×12” OB Celestion® Blue & G12H30 70th Anniversary (mic Blue side)
- R2D2: Musicman® 112 RD 1×12” Electro-Voice® EVM12L
- RackHero: Custom Audio Amplification® 4×12” CB Alien Transformer® 20W Greenback clones
- Silver77: Vintage Fender® Twin Reverb® 2×12″ orange JBL®
- SilverJen: Vintage Fender® Twin Reverb® 2×12″ Jensen® C12K
- StrongBack: VHT® Fat Bottom 4×12″ Eminence® P50E
- The One: Brunetti® Neo1512 1×15″ + 1×12″
- Twill 15: Clark® Tweed Replica 1×15” OB Jensen® 1959
- Vibro Utah: Vintage 1961 Fender® Vibrolux® 1×12″ original Utah speaker
- Vibro V30: Vintage 1961 Fender® Vibrolux® 1×12″ Celestion® V30
- Voice 30: Original Vox® AC30 JMI 2×12″ Celestion® “Silver Bell”
- Voice 65: 1965 Vox® 2×12″
- VoiceModrn: Vox® V212H, 2×12″ Celestion® Alnico Blue
- Watt FanC: Hiwatt® 2×12″ Fane closed back
- Watt FanO: Hiwatt® 2×12″ Fane open back
- XTCab: Bogner® 4×12″ Celestion® V30


Bass cabinets

- 2Notes CSB: Two Notes Custom 1×15″
- Alu XL: Hartke® XL 4×10″
- AZ Ben: SWR® Big Ben 1×18″
- AZ Work: SWR® WorkingMan 4×10″
- Calif Low: Mesa/Boogie® 2×10″
- Fridge: Ampeg® 8×10″
- Heaven Bot: David Eden® 1×15″
- Heaven Top: David Eden® 4×10″
- Marco: Markbass® 2×10″
- New York: Markbass® 4×6″
- Rea One: AER® Cab One 2×10″
- Voice V125: Vox® V125 2×12″
- WGrandBlvd: Ampeg® B15N 1×15” CB Jensen® C15N, Vintage Ceramic


8 studio microphones

- Ribbon 121, based on Royer® R121
- Ribbon 160, based on Beyerdynamic® M160N
- Dynamic 57, based on Shure® SM57
- Dynamic Bass52, based on Shure® Beta 52
- Dynamic 421, based on Sennheiser® MD421
- Dynamic Bass20, based on Electrovoice® RE20
- Condenser 87, based on Neumann® U87
- Condenser Knightfall, based on Blue® Dragonfly

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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