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TRIAD-ORBIT System - T3/O2/M1 — $636.00

Signal Chain

  • Elliott Guitars Peter Stroud Signature Custom Tone Master
  • Dunlop Manufacturing Tortex .50mm Red
  • Fishman Asterope Pro Studio AST-P15-SSG
  • Millennia Music & Media Systems HV-37
  • Radial JCR Reamp
  • Fishman Asterope Pro Stage AST-B20-SSN
  • Fender ‘65 Deluxe Reverb (reissue)
  • Triad-Orbit TRIAD-ORBIT System - T3/O2/M1
  • Audio-Technica AT4080
  • Universal Audio UAD-2 Satellite Quad Core

Triad-Orbit represents a quantum leap in the evolution of the microphone stand. Every industry-standard component, from stand bases to mic clips, was analyzed and reinvented to realize a singular objective: precise mic placement without compromise. Integrated mic stand systems, assembled from specific combinations of Triad stands, Orbit booms, and Micro components, are available to fulfill any conceivable miking assignment. (Any system can be used with Micro 1 or Micro 2).

T3 / Three-section shaft for specialized stage and studio applications. T3 tall tripod stands feature an air suspension system to protect expensive studio microphone against accidental impact damage.
Base Range: 2.25-9.5 in.
Stand Range: 30.75-69.75 in.
Weight: 14 lbs.

O2 / Dual-arm Boom - Orbit 2 dual orbital booms feature a unique dual-arm design each arm equipped with the proprietary ORBIT ball swivel mechanism making it the 'go-to' stand for stereo or dual miking assignments such as grand pianos, snare drum (top & bottom), guitar and vocals, choirs, big bands, and orchestras. Orbit 2 booms do the work of two stands, freeing up resources when multiple mics are called for and space is limited.
Boom Arm Range: 17-24 in.
Range of Motion: 360° x 220° x 2
Weight: 7 lbs

M1 / Long Mic Adaptor- Long stem arm accommodates large diaphragm studio microphones. Patent-pending Glide Path body stabilizes ball swivel mechanism for on-axis use. M1 adaptors are IO-equipped for quick-change compatibility with Triad and Orbit.

Starting with the Ultimate Speaker Demo, an ever-increasing number of the GearTunes audio  clips are being tracked using the Radial JCR Reamp. The Reamp was invented by my good friend and colleague John Cuniberti who engineered/co-produced many of Joe Satriani's most infamous recordings.

For GearTunes, reamping allows me to record a track where the guitar "hears" the amp in the room, but initially only the guitar or guitar and effects signal is recorded. This allows me to spend additional time perfecting amp tones and mic placement once I have the performance I'm looking for. One of the byproducts of this process is the creation of GearTunes DI Clips which enable you to play select guitars and effects through your amp by using your mobile device or computer as a reamp device.

For GearTunes DI Clips - and Gear Tune DI Clips ONLY (always found under the DI clips tab for gear that has one), you can play our guitar and effects through your amp. Simply use an unbalanced cable that terminates with an 1/8th inch jack on one end and a 1/4 inch jack on the other. Connect the 1/8th jack to the output of your mobile device or computer and the 1/4 inch jack into the front of your amp. Start off with your amp volume at zero and your mobile device (or computer) volume all the way up to ensure you hit the front end of the amp with enough signal, and then gradually increase the volume of the clean channel on your amp until you reach a level that is not capable of causing damage to your ears or equipment. GearTunes accepts no liability for the use, abuse or misuse of these clips, and playing them into your amp is done exclusively at your own risk.

I am tremendously excited about being able to share GearTunes DI Clips with you as you journey on your quest to find right gear for the music you play! Cheers ~ Doug:)

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